The Studio in 2008

The ice age cave paintings give evidence that for thousands of years man has known that one can paint with earth. At university I was studying soil science. When we had field courses we would paint the colours of the horizons in the soils with a sample of that exact soil itself and writing explanatory notes beside them. The shades …

The Studio in 2007

This year burnishing is again on the menu, so to speak. An elderly lady, a former art and biology teacher gets in touch. While studying in the early post-war years, she made a number of wood etchings, and, due to the lack of paper, she could only print the copies for handing in to her supervisor, never having printed any …

The Studio in 2006

It is the year of the Second International Biennale for the Artist‘s Book at the Bibliotheca Alexandrina in Egypt. My work „MenschenWürdeRechte“ is being accepted and will become part of the famous library. On a wonderful trip to the iconic North of Scotland in summer we visit the famous old bridge in Carrbridge, which will be one of the images …

The Studio in 2005

A publishing house/printing office is giving up some of their type cabinets and metal type, in order to make space for a hightech printing machine. Gradually the new place is filling up. I go round measuring, and, yes, with a little reshuffling it can be done. Two members of staff transport the eight type cabinets to my place in a …

On Strawboard and Spiderglassine

Paper is an ever so versatile material. Basically it is made from plant fibre. In Europe we can use linen, hemp, stinging nettles and cellulose from wood chips. Even asparagus peel and straw can be made into paper. Elsewhere on this planet other plants will be chosen. The underlying principle is the same: while taken from the mould the fibres …

The Studio in 2004

In February the studio starts moving. At the time we thought it to be the Big Move, obviously not knowing that in 2016 moving would be on a much bigger scale. We consider ourselves lucky in that the company that had produced the KORREX printing press, Simmel in Pforzheim, got us in touch with a former member of staff. He …

The Studio in 2003

Over the summer I meet Karl Kretschmer in Mosbach. He is moving his printing office and sells off leftover paper stock. I choose a few very nice qualities that will come in handy for a number of print projects in the course of the coming years. After all is loaded Karl states there is still space in the car boot …

The Compositor is a Gardener

and Typography is Interpretation. The gardener plants trees and shrubs, perennials and summer flowers, giving each their respective placing, so every single one can have their specific effect over the course of the year. He makes a strictly planned garden come into existence with straight lines and borders, or a romantic garden with curving edges flowing into bespoke corners. He …

9. Biennale Buchkunst Weimar

Save the date! 9. Biennale Buchkunst Weimar will be held from 6-8 December 2024 in Seminargebäude in Congresscentrum Neue Weimarhalle in Weimar Good old Shakespeare will be in wraps again (because it is winter), but all the lovely books and prints will be on show! And The Fork and Broom Press will have its new art work on the table. …

The Studio in 2001

Over the period from 2001 to 2003 my husband and I will be casting three typefaces on Heiner Buser‘s Monotype machines at his Greno printing office. The first to be cast is 10pt Baskerville. Casting type ourselves comes with the option of having a greater amount of type on stock – for longer texts, that is for books. The font …