The Studio in 2024

Our time travel draws to an end, we have arrived at our destination: the here & now, the year 2024. Many a situation cannot be pinned to one particular year anymore. In the early days master lithographer and colleague Hans Ulrich passed on a type case to me containing Garamond. It had been saved from a place that had been …

The Studio in 2023

So far „Giving Diversity a Home!“ was a motto. From now it will become a whole series of art work and thus, at long last, throw the bridge between me being both a printmaking artist and a biologist. We have set up our own garden here from scratch on a half hectar plot that has been a meadow for decades, …

The Studio in 2022

In April Sabine comes to stay as a journey-woman for letterpress. It is her second placement and she will stay for a whole week. As for her project, she has planned a concertina brochure. As of 2019 the studio is on the list of places where young people can go to spend some of their journeman-time working with metal type …

The Studio in 2021

In early February the temperature all of a sudden plummets to minus 17 Celsius, totally out of character for the region where we live. The strong gusts sweep the snow off the roofs and pile it on top of what is on the ground already. We are snowed in. For one or two days there is hardly any traffic on …

The Handmade Item

A long time ago, when machines did not yet exist, all things were handmade: pots, shoes, furniture, books, tools. All this was made by hand, manu-factured in the true sense of the word, there was no other way. If all those things were to be made to do the job, they were supposed to do, properly, these things needed to …

The Studio in 2020

For March the Oxford Fine Press Book Fair is scheduled. A table at the fair is booked, equally so are flight and accomodation. In the wake of the COVID-19 pandemic, British Airlines canceles the flight early on, and as a result I have to pull out of the fair entirely. I am lucky in that this happens early enough so …

Inseparable: Implementation and Content in the Artist‘s Book

There is a basic difference in the nature of the artist‘s book and the product of a publishing house. The product of the publisher will present a text, there might be an introduction, a commentary, a preface, an epilogue. The artist‘s book differs from that fundamentally. It is born from an idea. This is the seed from which the concept …

The Studio in 2018

In spring we head for the Cotswolds again. At the Oxford Fine Press Bookfair I present the new artist‘s book: Issue No. 4 in the series „Manarah“. I am delighted that this work quickly wins the award of the Oxford Guild of Printers. As like all issues in the Manarah-series, there is only one theme. Issue 4 has a wind …

25 Years of Printmaking: the Exhibition

The barn next to the printmaking studio in Oppenwehe will turn itself into this bespoke gallery space again and art work from the past 25 years of printmaking will be on show: woodcuts, linoprints, broadsheets and artist‘s books. The historic printing press will be ready for printing and all visitors can have a go at inking and printing, getting a …

The Studio in 2015

A property is found and in January we start packing, official documents are being worked upon. All of a sudden the other party in this transaction changes their mind, and they do not want to sell their house any longer. Since we have already terminated the lease for our rented flat, we need to improvise. I open up all packed …