The Studio in 2024

Our time travel draws to an end, we have arrived at our destination: the here & now, the year 2024. Many a situation cannot be pinned to one particular year anymore. In the early days master lithographer and colleague Hans Ulrich passed on a type case to me containing Garamond. It had been saved from a place that had been …

The Studio in 2021

In early February the temperature all of a sudden plummets to minus 17 Celsius, totally out of character for the region where we live. The strong gusts sweep the snow off the roofs and pile it on top of what is on the ground already. We are snowed in. For one or two days there is hardly any traffic on …

The Studio in 2020

For March the Oxford Fine Press Book Fair is scheduled. A table at the fair is booked, equally so are flight and accomodation. In the wake of the COVID-19 pandemic, British Airlines canceles the flight early on, and as a result I have to pull out of the fair entirely. I am lucky in that this happens early enough so …

25 Years of Printmaking: the Exhibition

The barn next to the printmaking studio in Oppenwehe will turn itself into this bespoke gallery space again and art work from the past 25 years of printmaking will be on show: woodcuts, linoprints, broadsheets and artist‘s books. The historic printing press will be ready for printing and all visitors can have a go at inking and printing, getting a …

The Studio in 2015

A property is found and in January we start packing, official documents are being worked upon. All of a sudden the other party in this transaction changes their mind, and they do not want to sell their house any longer. Since we have already terminated the lease for our rented flat, we need to improvise. I open up all packed …

On Strawboard and Spiderglassine

Paper is an ever so versatile material. Basically it is made from plant fibre. In Europe we can use linen, hemp, stinging nettles and cellulose from wood chips. Even asparagus peel and straw can be made into paper. Elsewhere on this planet other plants will be chosen. The underlying principle is the same: while taken from the mould the fibres …

The Compositor is a Gardener

and Typography is Interpretation. The gardener plants trees and shrubs, perennials and summer flowers, giving each their respective placing, so every single one can have their specific effect over the course of the year. He makes a strictly planned garden come into existence with straight lines and borders, or a romantic garden with curving edges flowing into bespoke corners. He …

The Studio in 2002

My husband and I continue to travel to Heiner Buser for casting our own type on his Monotype machines. Additionally there is more used metal type coming in, amongst it Reporter, a brush stroke style, Amati and more of Mistral. The latter counts as a script-and-brush style and is rather special. The lower case specimens are tricky to identify. The …

The Studio in 2001

Over the period from 2001 to 2003 my husband and I will be casting three typefaces on Heiner Buser‘s Monotype machines at his Greno printing office. The first to be cast is 10pt Baskerville. Casting type ourselves comes with the option of having a greater amount of type on stock – for longer texts, that is for books. The font …

Giving Diversity a Home: The True Medlar

„Giving Diversity a Home!“ is the motto of a new series of small-size books and prints published in limited editions. All are printed letterpress with original prints e. g. linocuts. Every book title is a portrait of one species of either plant or animal, and aimes to help establish a „forever home“ for the respective species in our gardens. Some …