The Studio in 2008

The ice age cave paintings give evidence that for thousands of years man has known that one can paint with earth. At university I was studying soil science. When we had field courses we would paint the colours of the horizons in the soils with a sample of that exact soil itself and writing explanatory notes beside them. The shades …

The Studio in 2006

It is the year of the Second International Biennale for the Artist‘s Book at the Bibliotheca Alexandrina in Egypt. My work „MenschenWürdeRechte“ is being accepted and will become part of the famous library. On a wonderful trip to the iconic North of Scotland in summer we visit the famous old bridge in Carrbridge, which will be one of the images …

The Studio in 2004

In February the studio starts moving. At the time we thought it to be the Big Move, obviously not knowing that in 2016 moving would be on a much bigger scale. We consider ourselves lucky in that the company that had produced the KORREX printing press, Simmel in Pforzheim, got us in touch with a former member of staff. He …

The Studio in 2002

My husband and I continue to travel to Heiner Buser for casting our own type on his Monotype machines. Additionally there is more used metal type coming in, amongst it Reporter, a brush stroke style, Amati and more of Mistral. The latter counts as a script-and-brush style and is rather special. The lower case specimens are tricky to identify. The …

The Studio in 2000

A printing office in the region of Allgäu near the German parts of the Alps needs to get rid of part of its letterpress equipment including metal type. The town is just a one and a half hour’s car drive away from where the studio is. I spend one day sorting the metal type from various cabinets into the ones …